dramatis personae

英 [ˌdræmətɪs pɜːˈsəʊnaɪ]

美 [ˌdræmətɪs pɜːrˈsoʊni]

n.  全体剧中人物

牛津词典

noun

• 全体剧中人物
  all the characters in a play in the theatre

柯林斯词典

• (一出戏中的)剧中人物，全部角色
  The characters in a play are sometimes referred to asthe dramatis personae.

英英释义

noun

• the actors in a play
  Synonym:castcast of characters

双语例句

• This leads to the identity without consciousness to the traditional moral when dramatis personae obey the modern moral.
  由此而带来的道德两难现象反映到文学上，首先体现为作品中的人物在服膺现代道德时对传统道德的不自觉地认同。
• PERSONAGE The Application of Dramatis Personae in Idiom and its Natural Culture
  从民族文化看人物习语
• It tries to analyze the shape of the theme, the relation of the dramatis personae and its relation with the development of the dramatic confliction, the causes of Margaret's tragedy from the approach of the context.
  从文本角度，探析歌剧主题形成、戏剧人物关系，以及这种关系与戏剧冲突发展的关系，玛格丽特悲剧的成因；
• When acting as a connotation character, it compares with the dramatis personae and sustains each other.
  当“我”以内涵人物出现时，“我”和主人公参差对照，重叠互映，各得生命；
• This paper investigates on the consciousness of watching& guarding represented from pure texts of Writer Xue Tao's youth novel, neither simply on the writer's nor the dramatis personae's from these works.
  本文研究的重点不是作家薛涛的守望意识，也不单纯是薛涛少年小说中人物的守望意识，而是薛涛少年小说文本本身所表现出来的守望意识。
• This papre trying to analyze on dramatis personae charles's unnatural and natural life to discuss the meaning that human existing, from the point of philosophic theory of existentialism.
  本文试图从存在主义哲学理论出发，通过分析主人公查尔斯的非本真和本真生活来探讨人生存在的意义。
• National culture, traditional custom, historical tradition and social development are the important sources of dramatis personae in idioms.
  民族文化、风俗习惯、历史传统以及社会发展等是人物习语的重要来源。
• Therefore, chapter two and chapter three start to research mostly from the dramatic elements of the opera, it explores the theme of the opera and the causes of the romantic tragedy from the plot and the dramatis personae.
  因此第二章第三章主要从歌剧的戏剧元素进入研究，从歌剧选材和歌剧人物入手，对歌剧主题及爱情悲剧的成因进行考察。
• Liang Heng 'prose works can be classified into two categories: the landscape prose and dramatis personae prose.
  梁衡的散文作品从题材上可以分为山水散文和人物散文。
• In the form, both Nauseous and Stranger are accounts in dramatis personae's own words, syncretizing the literary side and philosophical side.
  在形式上，《恶心》与《局外人》都是主人公的自述，文学与哲学融为一体；